If you see a scattered pile of computer paper and hear muffled noises coming from underneath it, I promise it’s not haunted. It’s just one of us senior writing students, buried underneath our overwhelming major projects.
Truth be told, my senior seminar project is actually going pretty well. I’m on track in terms of my word count, and it seems like the story is moving along at a nice pace. I covered what my major project is about in my last Writer’s Life post, but here’s a quick recap: I’m writing an “alternate history” novel set in 1968. It features two young women (a college student and a journalist) as they investigate several U.S. soldiers who have mysteriously disappeared in their home country.
As of this writing, I’m at 26,783 words just over halfway to my word count goal 50,000. I’m also a little more than halfway to my deadline of November 30 (remember, I started mid-October). In other words, things are right on track and as long as nothing wild happens (knock on wood), I should reach my goal no problem.
Big-picture-wise, it looks like things have been smooth sailing, but this project has been more complicated than that. I’ve fallen behind a few times, though I always manage to recover within a few days. Fortunately, I’ve had a lot of great help – I have a writing program that keeps me organize, fellow writer who encourage me, and music that keeps me motivated.
I have a confession to make: I didn’t participate in NaNoWriMo this year. I set it as one of my goals earlier this year, but as November grew closer, I realized that it wasn’t going to work out this year. I had a lot going on in terms of school and my personal life, and adding 50,000 words on top of that looked more like torture than a fun challenge.
When November 1 came and I saw many of my friends announcing their intentions to participate in NaNoWriMo, I couldn’t help feeling a little guilty. After all, I had told myself I would do it, and I’d gone back on that commitment. As the month wore on though, I got over my self-deprecation and realized that I actually enjoyed not being a part of NaNoWriMo this year.
That might sound like heresy to the writing community, but it’s the truth. I’m thankful that Past Maggie made the decision to pass on NaNoWriMo 2018. Don’t get me wrong, there are a lot of good things that can come out of NaNoWriMo – self-discipline, connections with other writers, and a completed draft, to name a few. Those things come with sacrifices, however, and I’m of the mind that sometimes those sacrifices aren’t worth it.
When you’re only one person and you’re trying to come up with an entire cast of characters, it’s hard to make sure they don’t all end up being clones of each other. Trust me, sometimes I look back at the “books” I wrote when I was eleven years old and I realize that all of my characters are the same people with different names.
When we think of a “smart” character, we usually think of the stereotypical maladjusted nerd, always spouting facts but is generally pretty useless. However, this isn’t the case in real life – people are smart in all kinds of different ways, not just in terms of what they learned (or didn’t learn) in school.
How do you write a cast of characters that are smart, but also unique? Based on books I’ve read and movies/TV shows I’ve watched, I’ve compiled a short list of different ways your characters can be smart. It’s not an exact science, but hopefully this gives you a place to start.
Most writers have heard of “Outside,” even if we’ve never seen it. Supposedly, it’s a mysterious place where this thing called “society” is, where people buy things in stores instead of buying them on Amazon, and they talk face-to-face instead of over text message. If you ask me, that sounds pretty terrifying.
In all seriousness, writers do have a reputation of being hermits who spend most of their days in the shelter of their home or local coffee shop (we have to fuel our creativity somehow). Oftentimes, this is with good reason: we need to be able to focus on our craft without other people interrupt us, and that’s much more likely to happen when we leave our safe writing bubble.
But what if the benefits outweigh the costs? We might embrace the hermit lifestyle, but we might be wise to step outside every so often – there are definitely some good reasons to do so.
Well my fellow writers, this is it: In just a few short days, NaNoWriMo 2017 will begin, and many of us will be spending more-than-usual amounts of time in front of our computers, typing away until our fingers hurt or we realize we need to eat something.
Writing 50,000 words in thirty days is not an easy task. I can’t speak completely from experience, since all of my NaNoWriMos in the past have allowed me to customize my goal, but the number is daunting. Fortunately, however, it’s not impossible. All you need are the right tools.
Using my own experience, and consulting a few of my friends that are NaNo veterans, I’ve compiled a list of things to include in your NaNoWriMo “Survival Kit.” Hopefully these will be applicable whether you’re a plotter or a pantser (read this post for an explanation), or whether this is your first time or tenth time.
Here’s what I recommend for your NaNoWriMo Survival Kit:
The Legend of Zelda is a franchise that has been around since the beginning of video games. The first entry in the series featured a massive overworld like nothing the world had seen before, and since then, the land of Hyrule has just gotten bigger and better. The Zelda franchise has become my go-to inspiration anything involving worldbuilding, especially fantasy settings like my story for this year’s NaNoWriMo. No matter what game you’re playing, the Zelda series has some great examples of excellent worldbuilding. I’ve learned a lot from these games, and so today, I’d like to share that with you.
So what worldbuilding aspects does The Legend of Zelda do well?
Not long ago, I was listening to Hamilton: An American Musical non-stop all the way through, and while I was listening, I realized three fundamental (writing) truths at the exact same time.
Forced references aside, for those unfamiliar with it, Hamilton is a hip-hop musical that tells the story of the American historical figure Alexander Hamilton. The musical gained popularity when it first debuted on Broadway in 2015 due to its unique music, diverse cast, fascinating story, and modern relevancy. I’ve been interested in it for a few months now, and while listening to it, I’ve noticed there are a lot of great storytelling lessons to be learned from it.
Hamilton is heavily based on historical events, and for the most part is accurate to the facts. However, it is still fictionalized in some ways, and for the purpose of this blog post, I’m focusing on the way that characters, events, and storytelling is presented in the musical. If I say something that’s inaccurate to history, just remember that I’m solely basing these observations on the musical.
Also, as a minor disclaimer: if you haven’t listened to Hamilton before, there are a number of instances with crude language, so just know that going in.
First things first, we need some good background music. This is most definitely not a ploy to get you to listen to one of my favorite soundtracks of all time. Not at all.
Way back in May of last year, I read a book titled Steelheart by Brandon Sanderson which I really enjoyed. After reading it, I noticed that there were writing lessons that could be gathered from the story, and I compiled those ideas into a blog post I called “Writing Lessons from Steelheart.” Since then, I haven’t written any more “Writing Lessons” blog posts, but that changes today.
As you may or may not know, I am slightly obsessed with enjoy a series of video games called Ace Attorney. To make a long story short, you play as Phoenix Wright, a rookie defense attorney, as he investigates crimes and defends the innocent from wrongful convictions. As you can imagine, these games don’t feature a lot of fast-paces gameplay – instead, they focus more on puzzle-solving and logical thinking as you put the pieces of the case together and determine the truth.
Because of this, Ace Attorney happens to be heavily story-driven. It’s like reading a mystery novel, except you’re the main character. With all of the story and narration involved in these games, it makes sense that there are a lot of writing lessons that can be learned from them.
Since there are a lot of games in this series, I’m just going to focus on the first three, Phoenix Wright: Ace Attorney, Justice for All, and Trials & Tribulations, which actually fit together like a trilogy. I vaguely hint at a few plot points, but I did my best to keep everything spoiler-free. Without further ado, here are some writing lessons from the Ace Attorney Trilogy!
Anyone who’s been following me for any amount of time knows that I’m obsessed with interested in personality types, specifically the Myers-Briggs Type Indicator (MBTI). I’m not going to go into a whole tirade of what the MBTI is, but basically, it assesses your personality using four categories: Introversion vs. Extroversion, Intuition vs. Sensing, Thinking vs. Feeling, and Perceiving vs. Judging. The results are then combined into a 4-letter type – For example, I am an INTJ, which means I have the introverted, intuitive, thinking, and judging qualities. Though certainly not an exact science, I think it’s pretty interesting. It’s also helpful for writing, especially when it comes to characters.
Anyways, a while back I got to thinking about how personality affects writing style, and specifically how the thinking/feeling aspect can affect writers. Again, I’m no expert, but this is what I’ve noticed based on the writers I’ve known over the years.